leavethesky

I'm still going through books and discarding ones that don't grab me after a chapter or so. (Lots grab me within one paragraph).


Stir it Up! Ramin Ganeshram



A Trinidadian-American girl wants to be a celebrity chef. It begins with a recipe for "two cups of love, a pinch of sharing," etc. BARF.


Before the Fall, by Noah Hawley



Hawley is a TV writer/creator who did a show I loved (Legion) and a show I liked (Fargo). The premise of this book - a man who, along with the young boy he saves, is the sole survivor of a plane wreck and starts investigating the victims to find out if it wasn't an accident - really appeals to me. Unfortunately, it's written in a style I can only describe as "Middle-aged white dude writes New Yorker fiction." Not for me.



Guns in the Heather, by Lockhart Amerman



In a fast-moving tale of international espionage, Jonathan Flower is lured by a false telegram from the school he is attending in Edinburgh. With his father, he is involved in a grim hunt in which they are stalked by a ruthless band of foreign agents.

The plot sounded fun but was actually kind of tedious. The best part was the author amusing himself with the dialogue. I am recording some for posterity:

Tommy is a fat, jolly sort of character who likes to talk jive with a Glasgow accent. This is purely so he can say stuff like "We dig it, mon, but good."

Her voice and her person both reminded me of the Scots adjective "soncy." This is purely so she can say stuff like "There's a bit sandwich forby - under yon cover."

"Wullie's awee the dee?" (His accent was what we call in school "pure Morningsayde.")

"We're teddibly soddy, of course. It's so fearfully dismal to be doodly with a gun."

My new band name is Doodly With A Gun.

This was Robinson's first novel, one of a set of three set in future Orange County, Californias, exploring three different futures for America. The second one is about a future much like the present day, hyper-capitalist and dystopian. The third is set in an ecotopia which apparently involves lots of softball. (I've only read The Wild Shore, and gleaned this information from reviews of the others.) After reading The Ministry of the Future, I thought I'd give Robinson another try, and this book sounded most relevant to my personal interests. (I've attempted Years of Rice and Salt multiple times and never gotten very far in. It sounds so interesting!)

The Wild Shore is set about sixty years after the US was shattered by multiple neutron bombs, then quarantined by the rest of the world. It's now a bunch of extremely small, struggling towns which are kept separated from each other as the rest of the world uses satellite imagery to bomb them any time they attempt to do something like build railroad tracks. The California coast is patrolled by Japanese vessels who prevent them from sailing too far out. No one in the book has any idea who bombed the US or why, but given the quarantine I assume the US started the war and someone else finished it.

The book is narrated by Henry, who is 17 and lives in a village of 60. He hangs out with a bunch of mostly-indistinguishable other teenage boys. (I spent three-quarters of the book thinking Steve and Nicolin were two different boys. They are not. I wish writers wouldn't randomly call characters by their first or last name.) They fish and farm and trade with scavengers. Henry is the prize student of Tom, one of four elders who recall the pre-catastrophe days. It is immediately obvious that Tom's teachings are a mix of real and complete bullshit, but as the younger generation has no context or means of fact-checking, they tend to think it's either all true or all bullshit.

The village gets contacted by the remnants of San Diego, which wants to build a rail line and fight back against the quarantine. Henry gets sucked into this, with disastrous results.

This book is SLOW. I often like books that are mostly about daily life, but Henry's daily life was not that interesting - he spends a lot of time hanging out with boys and talking and thinking about girls and daddy issues, and you can get that in any contemporary novel about teenage boys. The only real character is Tom - everyone else is lightly sketched in at best. Girls and women are only present as girlfriends, potential girlfriends, and moms. (There's one girl who's the leader of the farmers, who are mostly women - the men are mostly fishers - but she doesn't get much to do.) The book was just barely interesting enough that I finished it, but it didn't end anywhere more interesting than the rest of it.

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Content note: Characters use racial slurs for Japanese people.

This is the first book I've read by Tim Pratt. I had somehow gotten the impression that they wrote very highbrow, abstract sf that I probably wouldn't enjoy. I have no idea where that came from because this novel, which I tried because of the delightful premise, is completely not that and I enjoyed it very much.

Zax Delatree, a social worker/mediator from a utopian post-scarcity world, develops a condition where he travels to a random other world every time he sleeps. Through a lot of trial and error, he also discovers that he can take with him items on his person, and also other people if he's touching them when he falls asleep. If they're asleep too, they will arrive fine. If they're not, they arrive insane. ("The Jaunt" is one of many spottable influences.) Here's Zax and his companion, Minna, explaining their situation:

"Do you know the word 'multiverse?' [...] We're travelers, sort of. Sort of explorers. And sort of refugees."

"If this is true, the implications are immense."

"The implications are also very small and also personal," said Minna.

This is the most charming and heartfelt novel I've read in a while. It's mostly a picaresque, with Zax and Minna (and assorted friends and pursuing enemies) visiting all sorts of colorful other worlds, exploring and surviving and trying to be of use. The many worlds are great, I loved Zax and Minna and the friends they meet, and it's full of sense of wonder and hopefulness and people being kind under extremely difficult circumstances. I also liked that Zax and Minna are friends who are explicitly not romantically or sexually involved with each other.

There is a sequel, Prison of Sleep, which I have ordered.

A science fiction novella about aliens, communication, and certain dark topics which are spoilery to mention. Though if you read the blurb for this book, it very strongly implies those topics and the specific shocking twist that involves them. It reminded me of China Mieville's Embassytown, though the latter benefited from its longer length.

Ro's species, along with some others, can jump into the minds of Star Eaters, the mysterious species that alone can mine the mineral that enables space travel. Ro is told that doing so is the only way to study them, and while jumping into their bodies extinguishes their minds, they are extremely long-lived beings and their minds definitely come back, so Ro is only doing the equivalent of causing a day-long blackout. The Star Eaters were apparently once enslaved, but now work voluntarily; communication with them is difficult and puzzling. Once you jump in, you're stuck for the rest of your life, but Ro is such a curious and skilled linguist that he's willing to give up everything to understand this oddly mysterious race. (I guess the possessing being's mind is supposed to only live for its species's normal lifespan? This is not explained.)

If you've read much science fiction, or many books in general, you have probably already figured out what's really going on. In fact it's so obvious that it seems strange that it takes the characters so long to do so, but of course no one knows exactly what story they're in.

Everything involving alien communication is great. But the plot is so predictable and grim that I didn't enjoy the book much.

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